| Live Sound - Mixers |
| Phonic MM1202 4 Channel mixer |
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-4 balanced microphone/line inputs
-4 stereo inputs
-Studio quality mic preamps with 50dB of trim range
-3-Band EQ on every mono input channel
-Global +48V Phantom Power
-Headphone Output
-Peak LEDs on each mono input channel |
| $35.00 Per Day |
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| Peavy RQ200 6 Channel mixer |
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The RQ™ 200 is a 6-channel mini mixer that really delivers. This high quality mixer features 6 XLR low Z mic inputs and 4 channels with stereo line inputs. Each channel has high and low EQ, a monitor and effect send and a 60 mm channel fader. The outputs on the RQ 200 are both 1/4 in. and mini stereo, which is great for plugging the mixer into a video camera or computer. |
| $35.00 Per Day |
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| Mackie 1402 12 channel mixer |
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The Mackie 1402 is packed with premium features on every mic channel: 75Hz Low-Cut filters, two Aux Sends, inserts, phantom power, constant-loudness Pan controls and Pre Fader Solo. And since you can never have too many output options, we provided a Control Room/Phones source matrix, Master Aux section with EFX to Monitor, tape outputs, a high-volume headphone amplifier and balanced XLR and TRS outputs. |
| $40.00 Per Day |
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| Mackie CFX 16 16 channel mixer |
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The Mackie CFX 16 is been designed to take the hassle out of mixing live performances, Mackie's CFX 16 compact live sound mixer feature genuine Mackie mic preamps, four subgroups, precise nine-band stereo graphic equalizers for greater sonic control, and onboard EMAC™ 32-bit digital effects—eliminating the need for outboard effects processors and cables. Combined with Mackie Active loudspeakers, the CFX 16 mixer is part of a complete, easy-to-use Mackie sound system. |
| $100.00 Per Day |
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| Midas VENICE 320 32 channel mixer |
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MIDAS VENICE 320 console is built in direct response to customer demand. It does exactly what was asked in that it provides a high quality alternative in a huge number of applications where previously Midas was not an option. These range from conferences or live band applications, to effects returns or additional inputs in a large multi-console application, or indeed as part of a complete mobile system. It also provides the perfect feature set for live acts that need to mix their own FOH and monitor sound from on-stage, and is compact and light enough to fit on even the most cramped performance area. |
| $350.00 Per Day |
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| Dynacord PowerMate 600 |
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The PowerMate 600 has 6 Mic/Line as well as two Stereo/Line channels, two mixable 24-bit effects devices, a 7 band master equalizer and integrated 2 x 300 W power amplifier, the PowerMate 600 is the absolute allround solution for a multitude of applications. |
| $130.00 Per Day |
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| Dynacord PowerMate 1000 |
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DYNACORD POWERMATE 1000.All the function groups of the PowerMate are 100% professional in terms of their design and specification. The mixing section, where you will find high-quality, discrete microphone preamps, 48V phantom power switchable to the channels in groups of six and a dynamic range that would put most dedicated professional mixers to shame. AUX 3+4 are separately switchable pre/post fader. Then the ultra-efficient power amplifiers, which deliver 2 x 700 W into 4 Ohms. |
| $240.00 Per Day |
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